fake hublot watches

replika cartier

Press releaseIn January 2011, Tech-Airport gained from Duty Free of charge Information Worldwide the Product Award 2010 within the group "Best new store" for its Hour Enthusiasm Boutique at Geneva Intercontinental Airport.
Swatch group
The DFNI Merchandise Awards are held every single year to reward excellence and innovation, among the many primary players in the vacation retail and duty-free business, regarding keep ideas, solutions or promoting initiatives while in the last 12 months. This award to Tech-Airport gratifies a business which includes succeeded in getting an acknowledged qualified during the strategy of replica watch and jewelry boutiques in global airports. Over all, it rewards an innovative job and demonstrates the company's capacity to create creative merchants, customized to passengers' expectations, built by combining the practical experience of its origins with that received within the discipline. Today Tech-Airport has much more than 30 boutiques in 8 international airports: in France at Paris Roissy Charles-de-Gaulle, Paris-Orly, Nice-C? te d'Azur and Nantes-Atlantique, in Switzerland at Geneva Cointrin, in Germany at Dusseldorf, in Eire at Dublin as well as in Singapore at Changi. With its multi-brand Hour Passion boutiques and mono-brand boutiques for Omega and Swatch, its retail boutiques fulfill the demands of the various airports and in their travellers, proposing a complete and tailored array, introduced in a room wherever the look and layout enhance the different brand names of timepieces and jewels. The fast development in the quantity of concessions is undeniable proof of the successful design suited to sector needs. Besides bringing recognition and fame over the international amount, this difference enables Tech-Airport to confront with enthusiasm and self confidence the challenges from the coming months, specifically the launch in the new airport boutiques in Venice, Dusseldorf and Berlin. Push releaseThe Audemars Piguet watchmaking Manufacture, Montreux Sounds SA, the corporate that manages the festival's audiovisual archives, as well as the Swiss Federal Institute of Technology Lausanne (EPFL) are uniting their endeavours to remodel this distinctive heritage into a top-class electronic source for long term generations. INTRODUCING THE PROJECTMONTREUX MEDLEY?
Patrick Aebischer, President of? the EPFL,? Claude Nobs, creator of the Montreux Jazz Festival, and Philippe Merk, CEO of Audemars Piguet.
Jer? me Gertsch
Now hosting more than 220,000 spectators for every 12 months, the Montreux Jazz Pageant has recorded the concert events guiding its results because its commencing in 1967. In collaboration with all the TSR (the general public tv channel for Frenchspeaking Switzerland), the Competition filmed the early many years within the most varied quantity of classic Television set formats possible. Pursuing this, and sometimes in advance of the hottest in technological developments, the Pageant has recorded in Substantial Definition since 1991, even going so far as to experiment with 3D in 2010. The physical decay and technological obsolescence in the audiovisual methods used, none of which have had any backups, have posed an issue for your long-term management of such memories for really some time. The sheer amount of documents (5,000 hrs of taping of 4,000 teams and artists), the variety of musical traits, along with the fact that no other songs pageant on the earth has amassed this type of heritage, helps make these archives a singular treasure and doubtless considered one of the greatest musical data from the past forty yrs. Coupled with this particular could be the extraordinary mother nature and historic worth of sure paperwork. These consist of amongst the last concert events of Miles Davis in 1991, Marvin Gaye's general performance in 1980, Ray Charles first concert with Chaka Khan and George Benson, or Ella Fitzgerald in 1969, along with the fantastic exhibits made by Quincy Jones.
Ella Fitzgerald in 1969. DR
For Claude Nobs, creator and iconic determine on the Montreux Jazz Pageant, "Saving this heritage strengthened just about fifty decades of enthusiasm for tunes as well as the unbelievable musicians that i have labored with, a lot of of whom have regrettably handed on, but which have remaining an exceptional audiovisual legacy". Conserve, immortalise and perpetuateThe "Montreux Jazz Digital Project" fulfils various musicological and technological ambitions:- Categorise, digitalise and index the material of 5000 several hours of online video plus the identical quantity of audio- Take care of the storage, safety and safety in the digitalised paperwork and use of them- Promote the remarkable wealth of the musical heritage by making use of the most recent in study approaches delivered by theEPFL within the realm of pcs and audiovisual- Be certain that these paperwork are preserved as very best achievable for potential generations. This broad documentary and scientific function in progress will open its doors in 2011, offering use of these digital archives to researchers, college students, musicians and pros over the EPFL campus. This new chance is probably going to open up full new avenues of research and schooling in musicology together with investigate in audio and online video. Access to the general public are going to be gradual, but documents is going to be obtainable for viewing by means of the Montreux Jazz Cafe (now open in Geneva and Sydney). The EPFL will profit from this wealthy heritage to be a basis for launching its MetaMedia Center, a hub for competencies in the improvement and growth of media research.
Philippe Merk, CEO of Audemars Piguet.
Jer? me Gertsch
For Audemars Piguet, the Montreux Sounds Digital Job is in excellent harmony while using the values of tradition, excellence and audacity the watchmaking Manufacture has promoted considering the fact that its generation in 1875. "We are in particular very pleased to help this wonderful cultural journey, also to take part in the producing of a new web site while in the background of music, which will depart a amazing audiovisual report for potential generations" points out Philippe Merck, CEO, Audemars Piguet. The digitalisation of this masterful get the job done, which demands the very best in modern approaches as well as the most recent in R D developments, has managed to preserve its DNA as well as authenticity of outstanding times. This tremendous digitalisation programme is becoming a fact thanks to Claude Nobs and his enthusiasm for this invaluable musical heritage, also to Patrick Aebischer as well as knowledge of his engineers who have managed to build acceptable technological and scientific remedies to magnify the concerts of such everlasting artists. According to Quincy Jones, an ambassador on the project given that its beginnings, in addition to a trustworthy pageant follower and longstanding buddy of your Manufacture Audemars Piguet: "This could be the most critical legacy from the historical past of new music, starting from jazz to blues by means of gospel, rock, Latin, Brazilian, African or folk tunes, to name but a few. "