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Patrick Aebischer, President of? the EPFL,? Claude Nobs, creator of the Montreux Jazz Festival, and Philippe Merk, CEO of Audemars Piguet.
Jer? me Gertsch
Now hosting more than 220,000 spectators for every 12 months, the Montreux Jazz Pageant has recorded the concert events guiding its results because its commencing in 1967. In collaboration with all the TSR (the general public tv channel for Frenchspeaking Switzerland), the Competition filmed the early many years within the most varied quantity of classic Television set formats possible. Pursuing this, and sometimes in advance of the hottest in technological developments, the Pageant has recorded in Substantial Definition since 1991, even going so far as to experiment with 3D in 2010. The physical decay and technological obsolescence in the audiovisual methods used, none of which have had any backups, have posed an issue for your long-term management of such memories for really some time. The sheer amount of documents (5,000 hrs of taping of 4,000 teams and artists), the variety of musical traits, along with the fact that no other songs pageant on the earth has amassed this type of heritage, helps make these archives a singular treasure and doubtless considered one of the greatest musical data from the past forty yrs. Coupled with this particular could be the extraordinary mother nature and historic worth of sure paperwork. These consist of amongst the last concert events of Miles Davis in 1991, Marvin Gaye's general performance in 1980, Ray Charles first concert with Chaka Khan and George Benson, or Ella Fitzgerald in 1969, along with the fantastic exhibits made by Quincy Jones.
Ella Fitzgerald in 1969. DR
For Claude Nobs, creator and iconic determine on the Montreux Jazz Pageant, "Saving this heritage strengthened just about fifty decades of enthusiasm for tunes as well as the unbelievable musicians that i have labored with, a lot of of whom have regrettably handed on, but which have remaining an exceptional audiovisual legacy". Conserve, immortalise and perpetuateThe "Montreux Jazz Digital Project" fulfils various musicological and technological ambitions:- Categorise, digitalise and index the material of 5000 several hours of online video plus the identical quantity of audio- Take care of the storage, safety and safety in the digitalised paperwork and use of them- Promote the remarkable wealth of the musical heritage by making use of the most recent in study approaches delivered by theEPFL within the realm of pcs and audiovisual- Be certain that these paperwork are preserved as very best achievable for potential generations. This broad documentary and scientific function in progress will open its doors in 2011, offering use of these digital archives to researchers, college students, musicians and pros over the EPFL campus. This new chance is probably going to open up full new avenues of research and schooling in musicology together with investigate in audio and online video. Access to the general public are going to be gradual, but documents is going to be obtainable for viewing by means of the Montreux Jazz Cafe (now open in Geneva and Sydney). The EPFL will profit from this wealthy heritage to be a basis for launching its MetaMedia Center, a hub for competencies in the improvement and growth of media research.
Philippe Merk, CEO of Audemars Piguet.
Jer? me Gertsch
For Audemars Piguet, the Montreux Sounds Digital Job is in excellent harmony while using the values of tradition, excellence and audacity the watchmaking Manufacture has promoted considering the fact that its generation in 1875. "We are in particular very pleased to help this wonderful cultural journey, also to take part in the producing of a new web site while in the background of music, which will depart a amazing audiovisual report for potential generations" points out Philippe Merck, CEO, Audemars Piguet. The digitalisation of this masterful get the job done, which demands the very best in modern approaches as well as the most recent in R D developments, has managed to preserve its DNA as well as authenticity of outstanding times. This tremendous digitalisation programme is becoming a fact thanks to Claude Nobs and his enthusiasm for this invaluable musical heritage, also to Patrick Aebischer as well as knowledge of his engineers who have managed to build acceptable technological and scientific remedies to magnify the concerts of such everlasting artists. According to Quincy Jones, an ambassador on the project given that its beginnings, in addition to a trustworthy pageant follower and longstanding buddy of your Manufacture Audemars Piguet: "This could be the most critical legacy from the historical past of new music, starting from jazz to blues by means of gospel, rock, Latin, Brazilian, African or folk tunes, to name but a few. "