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Push releaseThe Audemars Piguet watchmaking Manufacture, Montreux Sounds SA, the corporate that manages the festival's audiovisual archives, as well as the Swiss Federal Institute of Technology Lausanne (EPFL) are uniting their endeavours to remodel this distinctive heritage into a top-class electronic source for long term generations. INTRODUCING THE PROJECTMONTREUX MEDLEY?
Patrick Aebischer, President of? the EPFL,? Claude Nobs, creator of the Montreux Jazz Festival, and Philippe Merk, CEO of Audemars Piguet.
Jer? me Gertsch
Now hosting more than 220,000 spectators for every 12 months, the Montreux Jazz Pageant has recorded the concert events guiding its results because its commencing in 1967. In collaboration with all the TSR (the general public tv channel for Frenchspeaking Switzerland), the Competition filmed the early many years within the most varied quantity of classic Television set formats possible. Pursuing this, and sometimes in advance of the hottest in technological developments, the Pageant has recorded in Substantial Definition since 1991, even going so far as to experiment with 3D in 2010. The physical decay and technological obsolescence in the audiovisual methods used, none of which have had any backups, have posed an issue for your long-term management of such memories for really some time. The sheer amount of documents (5,000 hrs of taping of 4,000 teams and artists), the variety of musical traits, along with the fact that no other songs pageant on the earth has amassed this type of heritage, helps make these archives a singular treasure and doubtless considered one of the greatest musical data from the past forty yrs. Coupled with this particular could be the extraordinary mother nature and historic worth of sure paperwork. These consist of amongst the last concert events of Miles Davis in 1991, Marvin Gaye's general performance in 1980, Ray Charles first concert with Chaka Khan and George Benson, or Ella Fitzgerald in 1969, along with the fantastic exhibits made by Quincy Jones.
Ella Fitzgerald in 1969. DR
For Claude Nobs, creator and iconic determine on the Montreux Jazz Pageant, "Saving this heritage strengthened just about fifty decades of enthusiasm for tunes as well as the unbelievable musicians that i have labored with, a lot of of whom have regrettably handed on, but which have remaining an exceptional audiovisual legacy". Conserve, immortalise and perpetuateThe "Montreux Jazz Digital Project" fulfils various musicological and technological ambitions:- Categorise, digitalise and index the material of 5000 several hours of online video plus the identical quantity of audio- Take care of the storage, safety and safety in the digitalised paperwork and use of them- Promote the remarkable wealth of the musical heritage by making use of the most recent in study approaches delivered by theEPFL within the realm of pcs and audiovisual- Be certain that these paperwork are preserved as very best achievable for potential generations. This broad documentary and scientific function in progress will open its doors in 2011, offering use of these digital archives to researchers, college students, musicians and pros over the EPFL campus. This new chance is probably going to open up full new avenues of research and schooling in musicology together with investigate in audio and online video. Access to the general public are going to be gradual, but documents is going to be obtainable for viewing by means of the Montreux Jazz Cafe (now open in Geneva and Sydney). The EPFL will profit from this wealthy heritage to be a basis for launching its MetaMedia Center, a hub for competencies in the improvement and growth of media research.
Philippe Merk, CEO of Audemars Piguet.
Jer? me Gertsch
For Audemars Piguet, the Montreux Sounds Digital Job is in excellent harmony while using the values of tradition, excellence and audacity the watchmaking Manufacture has promoted considering the fact that its generation in 1875. "We are in particular very pleased to help this wonderful cultural journey, also to take part in the producing of a new web site while in the background of music, which will depart a amazing audiovisual report for potential generations" points out Philippe Merck, CEO, Audemars Piguet. The digitalisation of this masterful get the job done, which demands the very best in modern approaches as well as the most recent in R D developments, has managed to preserve its DNA as well as authenticity of outstanding times. This tremendous digitalisation programme is becoming a fact thanks to Claude Nobs and his enthusiasm for this invaluable musical heritage, also to Patrick Aebischer as well as knowledge of his engineers who have managed to build acceptable technological and scientific remedies to magnify the concerts of such everlasting artists. According to Quincy Jones, an ambassador on the project given that its beginnings, in addition to a trustworthy pageant follower and longstanding buddy of your Manufacture Audemars Piguet: "This could be the most critical legacy from the historical past of new music, starting from jazz to blues by means of gospel, rock, Latin, Brazilian, African or folk tunes, to name but a few. " You will discover several of us die-hard replica watch followers who keep in mind Jorg Hysek way back again when he was creating his individual crafting instruments and timepieces some ten years back. He was over the reducing edge with carbon fiber and titanium back again then. Then, immediately after a respite with that organization, he resurfaced with hD3 with co-designers and inventive concepts that brought jointly cost-free contemplating and sophisticated patterns. Now, hD3 brings watchmaking to new stages while using the all-new Slyde a concept entirely in keeping with today's virtual technological know-how. The replica watch features a touch-screen that slides up and down to expose the motion functions, and sideways like an ipad, to reveal shots the proprietor can add into it. "After the near of BNB movement manufacture, I assumed and assumed about what to do," says Jorg Hysek. "I determined it absolutely was time for you to keep to the idea on the virtual world instead of the replica watch environment, and that i needed to see where by we could select this. To start with I worked while using the curved sapphire glass being sure I could turn it into a contact monitor since the replica watch needed to be substantial close and look higher close. It had been not some thing I could bring into the watchmaking arena; I'd to go beyond the watchmaking earth, on the technological know-how globe, to create it. ""My idea will be to make new motion types each and every handful of months. The worth for the new motion will likely be about 100 to two hundred Swiss francs and this way the proprietor can alter the actions any time he appears like it. Then, far too, together with the USB connector, he can load up the pictures and alter what ever they desires. I'll make SLYDE available in black or gray titanium or in pink gold the purest kind of Swiss watchmaking," claims Hysek. "But titanium is my trademark search and so it ought to can be found in that alloy. The replica watch is totally drinking water resistant to 50 meters much too and it is certain. I am very thrilled about this and i consider we're going to create a stir while in the marketplace. "Yes, at somewhere around $5,000 for every titanium-cased watch, hD3 is currently turning heads and developing a commotion. SLYDE usually takes the underlying theory from the Smartphone to new 21st century options a little something Hysek has generally been adept at doing: futuristic styles.