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Parmigiani - Tonda 1950 | New replica watches
Press ReleaseWITH FINESSEIn both its pure, tasteful aesthetic and its exceptionally refined profile, the new Tonda 1950 satisfies the best standards with regards to comfort and ease and readability: a return into the principles which determine a true common.
Parmigiani Tonda 1950? Pink Gold? dial Grained white?
Parmigiani
The Tonda 1950 reinterprets the incredibly essence of the Parmigiani design and style: its profile. Slender, finer, it truly is the right showcase with the brand's iconic signature - the four lugs, spherical and ergonomic. In rose gold or white gold, the Tonda 1950 will be the new, extra-flat traditional design that includes the crucial element markers of your time - hrs, minutes and modest seconds.
Parmigiani Tonda 1950 white gold? , cadran graphite? ParmigianiThe 12 Parmigiani household calibres will likely be finished by a ingredient essential for the rigourous and manifold exploration on the facets of your time: the extra-flat self-winding movement. By using a diameter of thirty mm (thirteen lignes) plus a thickness of just two. six mm, the new PF 701 motion permits various interpretations on the aesthetic. In time, a date function are going to be included to your calibre, with its integration currently planned so as to not disturb the delicate profile with the Tonda situation, just 7. 80 mm thick and 39 mm in diameter. With an autonomy of forty two hrs, the motion has an off-centred micro-oscillating body weight in platinum 950. Indicating the hours, minutes and tiny seconds, the graphite or white grained dial displays its twelve time zone indexes with understated grace. The theory driving its sophistication? basic elegance with no interfering together with the time.
Motion PF701?
Parmigiani
Despite the delicacy of its profile, the movement nonetheless gives the best haute horlogerie finishes you'd be expecting from Parmigiani, and types which quite couple brands would implement to this kind of system. The nickel silver most important plate is sand-blasted, circular-grained after which you can rhodium-plated. The bridges are sand-blasted, rubbed-down or "C? te de Geneve" adorned, then bevelled by hand and, finally, rhodium-plated. Also notice the eye-catching complete of each and every wheel, bevelled, sunk, circular-grained on equally faces, then gilded in advance of slicing. The high conventional of end on each and every part would be the end result of a exclusive dovetailing of the different centres of competence that make up the Parmigiani Manufacture (The muse Watchmaking Manufactures), making certain that every calibre created is from the pretty best excellent. The motion plus the total exterior on the new Tonda 1950 are made solely in-house, right up to the indexes on the dial. The watchmaking talent inherent within the Tonda 1950, a trim, understated design, is likewise expressed during the delicacy of its specifics. Tonda 1950Model: Tonda 1950Movement:PF 701Automatic winding. 42 hour power reserve. Calibre thirteen ''' 30 mm, thickness two. 6 mmFrequency: 3 Hz 21,600 Vib/h29 jewels, one barrel. "C? tes de Geneve" decoration, bevelled bridges. Oscillating micro-weight. Capabilities:HourMinuteSmall seconds at 6 o'clock. Exterior:Spherical 3-part scenario: 39 mm. Thickness: seven. 8 mm. Substance: 18 ct rose gold, white gold. Polished complete. Water resistance: 30 m. Anti-reflective sapphire crystal. Crowns: 5 mm. Case-back with sapphire crystal. Personal selection engraved to the case-back. Dials2 variants, "Graphite" and "Grained white". Diamond-polished appliques, opaline qualifications. Delta shaped fingers with luminescent coating. Wristlets:Alligator strap with ardillon buckle on rose and white gold, polished end. Push releaseThe Audemars Piguet watchmaking Manufacture, Montreux Sounds SA, the corporate that manages the festival's audiovisual archives, as well as the Swiss Federal Institute of Technology Lausanne (EPFL) are uniting their endeavours to remodel this distinctive heritage into a top-class electronic source for long term generations. INTRODUCING THE PROJECTMONTREUX MEDLEY?
Patrick Aebischer, President of? the EPFL,? Claude Nobs, creator of the Montreux Jazz Festival, and Philippe Merk, CEO of Audemars Piguet.
Jer? me Gertsch
Now hosting more than 220,000 spectators for every 12 months, the Montreux Jazz Pageant has recorded the concert events guiding its results because its commencing in 1967. In collaboration with all the TSR (the general public tv channel for Frenchspeaking Switzerland), the Competition filmed the early many years within the most varied quantity of classic Television set formats possible. Pursuing this, and sometimes in advance of the hottest in technological developments, the Pageant has recorded in Substantial Definition since 1991, even going so far as to experiment with 3D in 2010. The physical decay and technological obsolescence in the audiovisual methods used, none of which have had any backups, have posed an issue for your long-term management of such memories for really some time. The sheer amount of documents (5,000 hrs of taping of 4,000 teams and artists), the variety of musical traits, along with the fact that no other songs pageant on the earth has amassed this type of heritage, helps make these archives a singular treasure and doubtless considered one of the greatest musical data from the past forty yrs. Coupled with this particular could be the extraordinary mother nature and historic worth of sure paperwork. These consist of amongst the last concert events of Miles Davis in 1991, Marvin Gaye's general performance in 1980, Ray Charles first concert with Chaka Khan and George Benson, or Ella Fitzgerald in 1969, along with the fantastic exhibits made by Quincy Jones.
Ella Fitzgerald in 1969. DR
For Claude Nobs, creator and iconic determine on the Montreux Jazz Pageant, "Saving this heritage strengthened just about fifty decades of enthusiasm for tunes as well as the unbelievable musicians that i have labored with, a lot of of whom have regrettably handed on, but which have remaining an exceptional audiovisual legacy". Conserve, immortalise and perpetuateThe "Montreux Jazz Digital Project" fulfils various musicological and technological ambitions:- Categorise, digitalise and index the material of 5000 several hours of online video plus the identical quantity of audio- Take care of the storage, safety and safety in the digitalised paperwork and use of them- Promote the remarkable wealth of the musical heritage by making use of the most recent in study approaches delivered by theEPFL within the realm of pcs and audiovisual- Be certain that these paperwork are preserved as very best achievable for potential generations. This broad documentary and scientific function in progress will open its doors in 2011, offering use of these digital archives to researchers, college students, musicians and pros over the EPFL campus. This new chance is probably going to open up full new avenues of research and schooling in musicology together with investigate in audio and online video. Access to the general public are going to be gradual, but documents is going to be obtainable for viewing by means of the Montreux Jazz Cafe (now open in Geneva and Sydney). The EPFL will profit from this wealthy heritage to be a basis for launching its MetaMedia Center, a hub for competencies in the improvement and growth of media research.
Philippe Merk, CEO of Audemars Piguet.
Jer? me Gertsch
For Audemars Piguet, the Montreux Sounds Digital Job is in excellent harmony while using the values of tradition, excellence and audacity the watchmaking Manufacture has promoted considering the fact that its generation in 1875. "We are in particular very pleased to help this wonderful cultural journey, also to take part in the producing of a new web site while in the background of music, which will depart a amazing audiovisual report for potential generations" points out Philippe Merck, CEO, Audemars Piguet. The digitalisation of this masterful get the job done, which demands the very best in modern approaches as well as the most recent in R D developments, has managed to preserve its DNA as well as authenticity of outstanding times. This tremendous digitalisation programme is becoming a fact thanks to Claude Nobs and his enthusiasm for this invaluable musical heritage, also to Patrick Aebischer as well as knowledge of his engineers who have managed to build acceptable technological and scientific remedies to magnify the concerts of such everlasting artists. According to Quincy Jones, an ambassador on the project given that its beginnings, in addition to a trustworthy pageant follower and longstanding buddy of your Manufacture Audemars Piguet: "This could be the most critical legacy from the historical past of new music, starting from jazz to blues by means of gospel, rock, Latin, Brazilian, African or folk tunes, to name but a few. "